Entertainment & Toys

Brandy Colbert is the award-winning author of several books for children and teens, including The Voting Booth, The Only Black Girls in Town, The Revolution of Birdie Randolph, and Stonewall Book Award winner Little & Lion. She is co-writer of Misty Copeland's Life in Motion young readers edition, and her short fiction and essays have been published in a variety of critically acclaimed anthologies for young people. Her books have been chosen as Junior Library Guild selections, and have appeared on many best of lists, including the American Library Association's Best Fiction for Young Adults and Quick Picks for Reluctant Young Adult Readers. She is on faculty at Hamline University's MFA program in writing for children, and lives in Los Angeles.

Hi, my name is Brittney Morris. I'm the author of SLAY, THE COST OF KNOWING, MARVEL'S SPIDER-MAN: MILES MORALES - WINGS OF FURY, and I've written for video games including The Lost Legends of Redwall and Subnautica: Below Zero. I have a BA in economics from Boston University and I spend my spare time reading, playing indie video games, and enjoying the rain from my home in Philly. I live with my husband Steven who would rather enjoy the rain from a campsite in the woods because he hasn't played enough horror games.

Claudia Rankine is the author of six collections of poetry, including Just Us: An American Conversation, Citizen: An American Lyric and Don’t Let Me Be Lonely; three plays including HELP, which premiered in March of 2020 at The Shed, NYC, The White Card, which premiered in February 2018 (ArtsEmerson/ American Repertory Theater) and was published by Graywolf Press in 2019, and Provenance of Beauty: A South Bronx Travelogue; as well as numerous video collaborations. She is also the co-editor of several anthologies including The Racial Imaginary: Writers on Race in the Life of the Mind (FENCE, 2015). In 2016, she co-founded The Racial Imaginary Institute (TRII). Among her numerous awards and honors, Rankine is the recipient of the Bobbitt National Prize for Poetry, the Poets & Writers’ Jackson Poetry Prize, and fellowships from the Guggenheim Foundation, the Lannan Foundation, the MacArthur Foundation, United States Artists, and the National Endowment of the Arts. Rankine teaches at Yale University as the Frederick Iseman Professor of Poetry. She lives in New Haven, Connecticut.

Dana L. Davis is a novelist and Hollywood actress with previous series regular roles as: Carmen Phillips on TNT’s Franklin and Bash and modern day mimic Monica Dawson on NBC’s cult series Heroes. She currently stars on the animated series Star Vs. the Forces of Evil, Craig of the Creek, and She-Ra. Dana has guest-starred in over 20 prestigious primetime series, including 911, Scorpion, Code Black, Grey’s Anatomy, and CSI. She made her film debut in Coach Carter with Samuel Jackson. In addition to her work on screen, Dana has become a motivational speaker for teens. Her stirring assemblies empower and encourage youth, helping them to redefine what it means to win and lose. Extremely versatile, Dana is a screenwriter and a trained Violist with a Bachelor of Fine Arts in Music from Loyola Marymount University. She volunteers for nonprofits like Empowering Lives International, an organization which provides training, resources, and encouragement to underprivileged East African children. Dana also created her own nonprofit organization Culture For Kids, LA, an organization which gifts inner city children tickets and transportation to see performing arts shows around the Los Angeles area. Dana was raised in the Midwest and currently resides in Los Angeles with her 9-year-old daughter.

Edwidge Danticat is the author of several books, including Breath, Eyes, Memory, an Oprah Book Club selection, Krik? Krak!, a National Book Award finalist, The Farming of Bones, The Dew Breaker, Create Dangerously, Claire of the Sea Light, and Everything Inside. She is also the editor of The Butterfly's Way: Voices from the Haitian Dyaspora in the United States, Best American Essays 2011, Haiti Noir and Haiti Noir 2. She has written seven books for children and young adults, Anacaona, Behind the Mountains, Eight Days, The Last Mapou, Mama's Nightingale, Untwine, My Mommy Medicine, as well as a travel narrative, After the Dance. Her memoir, Brother, I'm Dying, was a 2007 finalist for the National Book Award and a 2008 winner of the National Book Critics Circle Award for autobiography. She is a 2009 MacArthur fellow, a 2018 Ford Foundation “The Art of Change” fellow, and the winner of the 2018 Neustadt International Prize and the 2019 St. Louis Literary Award.

Throughout her life, Elaine Welteroth has climbed the ranks of media and fashion, shattering ceilings along the way. In this riveting and timely memoir, the groundbreaking journalist unpacks lessons on race, identity, and success through her own journey, from navigating her way as the unstoppable child of a unlikely interracial marriage in small-town California to finding herself on the frontlines of a modern movement for the next generation of change makers. Welteroth moves beyond the headlines and highlight reels to share the profound lessons and struggles of being a barrier-breaker across so many intersections. As a young boss and often the only Black woman in the room, she’s had enough of the world telling her—and all women—they’re not enough. As she learns to rely on herself by looking both inward and upward, we’re ultimately reminded that we’re more than enough.

ELIZABETH ACEVEDO is the New York Times-bestselling author of The Poet X, which won the National Book Award for Young People’s Literature, the Michael L. Printz Award, the Pura Belpré Award, the Carnegie medal, the Boston Globe–Horn Book Award, and the Walter Award. She is also the author of With the Fire on High—which was named a best book of the year by the New York Public Library, NPR, Publishers Weekly, and School Library Journal—and Clap When You Land, which was a Boston Globe–Horn Book Honor book and a Kirkus finalist. She holds a BA in Performing Arts from The George Washington University and an MFA in Creative Writing from the University of Maryland. Acevedo has been a fellow of Cave Canem, Cantomundo, and a participant in the Callaloo Writer’s Workshops. She is a National Poetry Slam Champion, and resides in Washington, DC with her love.

Ibi Zoboi was born in Port-au-Prince, Haiti, and holds an MFA in writing for children and young adults from Vermont College of Fine Arts. Her YA novel American Street was a National Book Award finalist and and her debut middle grade novel, My Life as an Ice Cream Sandwich, was a New York Times bestseller. She is the author of Pride, a contemporary YA remix of Jane Austen’s Pride and Prejudice, and editor of the anthology, Black Enough: Stories of Being Young & Black in America. Her most recent bestseller, Punching the Air, is a YA novel-in-verse, co-authored by prison reform activist Yusef Salaam of the Exonerated Five. Raised in New York City, Ibi now lives in New Jersey with her husband and their three children.

Ijeoma Oluo is a Seattle-based writer, speaker, and Internet Yeller. She’s the author of the New York Times Best-Seller So You Want to Talk about Race, published in January by Seal Press. Named one of the The Root’s 100 Most Influential African Americans in 2017, one of the Most Influential People in Seattle by Seattle Magazine, one of the 50 Most Influential Women in Seattle by Seattle Met, and winner of the of the 2018 Feminist Humanist Award by the American Humanist Society, Oluo’s work focuses primarily on issues of race and identity, feminism, social and mental health, social justice, the arts, and personal essay. Her writing has been featured in The Washington Post, NBC News, Elle Magazine, TIME, The Stranger, and the Guardian, among other outlets.

I wrote on everything and everywhere. I remember my uncle catching me writing my name in graffiti on the side of a building. (It was not pretty for me when my mother found out.) I wrote on paper bags and my shoes and denim binders. I chalked stories across sidewalks and penciled tiny tales in notebook margins. I loved and still love watching words flower into sentences and sentences blossom into stories. I also told a lot of stories as a child. Not “Once upon a time” stories but basically, outright lies. I loved lying and getting away with it! There was something about telling the lie-story and seeing your friends’ eyes grow wide with wonder. Of course I got in trouble for lying but I didn’t stop until fifth grade. That year, I wrote a story and my teacher said “This is really good.” Before that I had written a poem about Martin Luther King that was, I guess, so good no one believed I wrote it. After lots of brouhaha, it was believed finally that I had indeed penned the poem which went on to win me a Scrabble game and local acclaim. So by the time the story rolled around and the words “This is really good” came out of the otherwise down-turned lips of my fifth grade teacher, I was well on my way to understanding that a lie on the page was a whole different animal — one that won you prizes and got surly teachers to smile. A lie on the page meant lots of independent time to create your stories and the freedom to sit hunched over the pages of your notebook without people thinking you were strange. Lots and lots of books later, I am still surprised when I walk into a bookstore and see my name on a book or when the phone rings and someone on the other end is telling me I’ve just won an award. Sometimes, when I’m sitting at my desk for long hours and nothing’s coming to me, I remember my fifth grade teacher, the way her eyes lit up when she said “This is really good.” The way, I — the skinny girl in the back of the classroom who was always getting into trouble for talking or missed homework assignments — sat up a little straighter, folded my hands on the desks, smiled and began to believe in me.